故事发生在二十世纪五十年代的美国，巴迪（迈克尔·瑞斯玻利 Michael Rispoli 饰）买了一间房子作为新家，然而，当他喜滋滋地想要搬进去时，却发现原来租住在里面的夫妻玛丽（凯莉·麦克唐纳 Kelly Macdonald 饰）和吉姆（凯文·康韦 Kevin Conway 饰）夫妻两人不愿意搬走，并且，怀孕的玛丽即将生产。 　　让大家没有想到的是，玛丽生出来的宝宝竟然是黑皮肤，愤怒的吉姆离她而去。善良的巴迪可怜母子两人孤苦伶仃，帮他们租了一个房间，并且不时地去探望和照顾他们。随着时间的推移，巴迪和玛丽之间的关系开始变得亲密起来，这让巴迪的妻子埃斯特拉（凯瑟琳·纳杜奇 Kathrine Narducci）感到十分不满。

故事发生在二十世纪五十年代的美国，巴迪（迈克尔·瑞斯玻利 Michael Rispoli 饰）买了一间房子作为新家，然而，当他喜滋滋地想要搬进去时，却发现原来租住在里面的夫妻玛丽（凯莉·麦克唐纳 Kelly Macdonald 饰）和吉姆（凯文·康韦 Kevin Conway 饰）夫妻两人不愿意搬走，并且，怀孕的玛丽即将生产。 　　让大家没有想到的是，玛丽生出来的宝宝竟然是黑皮肤，愤怒的吉姆离她而去。善良的巴迪可怜母子两人孤苦伶仃，帮他们租了一个房间，并且不时地去探望和照顾他们。随着时间的推移，巴迪和玛丽之间的关系开始变得亲密起来，这让巴迪的妻子埃斯特拉（凯瑟琳·纳杜奇 Kathrine Narducci）感到十分不满。

1928年，伊文思第一次赴巴黎，试图探讨摄影机的表现可能性，并在那里拍摄了一部4分钟的短片《对运动的研究》。 　　Images of mostly traffic in Paris, a.o. seen from the appartment of Germaine Krull or shot while walking through the city with her. Here already the influence of the Russina avant-garde films can be seen clearly, e.g. when looking at the diagonal frame compositions.

1928年，伊文思第一次赴巴黎，试图探讨摄影机的表现可能性，并在那里拍摄了一部4分钟的短片《对运动的研究》。 　　Images of mostly traffic in Paris, a.o. seen from the appartment of Germaine Krull or shot while walking through the city with her. Here already the influence of the Russina avant-garde films can be seen clearly, e.g. when looking at the diagonal frame compositions.

A definitive history of surfing in Australia, Bombora tells the story of Australian beach culture through our surfing champions, writers, pioneers, entrepreneurs, mavericks, legends, drop-outs, and drop-ins. 　　The two-part series follows the rise of surfing and its culture in Australia, using archival footage and classic Australian music to illustrate its growing importance in Australian society in the 20th century and beyond. From the time we learned to bodysurf, to our first attempts on boards, to Duke Kahanamoku’s 1914 visit which kicked off surfing’s roll to popularity, Australians have taken the surf and made it our own, spawning international legends such as Midget Farrelly, Nat Young and seven-time world champion Layne Beachley, along with global surfwear brands. 　　Set against a changing world, Bombora follows the history of surfing from its maverick early days, through three significant wars and a depression, the development of surf clubs and the ensuing battles between lifesavers and surfers, the sea-change seeking drug culture of the 1970s and its shift to a cleaner, more professional sport in the late 1980s. 　　Bombora interviews a rich seam of Australian characters, including our first surf champion Isabel Letham, author and surfer Tim Winton, legendary surfboard shaper Bob McTavish, accidental entrepreneur and Rip Curl founder Doug Warbrick and former world champion surfers Barton Lynch and Wayne ‘Rabbit’ Bartholomew. It looks at the rise of women surfers, such as Layne Beachley, and the explosion of Australian labels including Billabong, Rip Curl, and Quiksilver, which helped to cement Australia’s position as a global force in international surfing.

A definitive history of surfing in Australia, Bombora tells the story of Australian beach culture through our surfing champions, writers, pioneers, entrepreneurs, mavericks, legends, drop-outs, and drop-ins. 　　The two-part series follows the rise of surfing and its culture in Australia, using archival footage and classic Australian music to illustrate its growing importance in Australian society in the 20th century and beyond. From the time we learned to bodysurf, to our first attempts on boards, to Duke Kahanamoku’s 1914 visit which kicked off surfing’s roll to popularity, Australians have taken the surf and made it our own, spawning international legends such as Midget Farrelly, Nat Young and seven-time world champion Layne Beachley, along with global surfwear brands. 　　Set against a changing world, Bombora follows the history of surfing from its maverick early days, through three significant wars and a depression, the development of surf clubs and the ensuing battles between lifesavers and surfers, the sea-change seeking drug culture of the 1970s and its shift to a cleaner, more professional sport in the late 1980s. 　　Bombora interviews a rich seam of Australian characters, including our first surf champion Isabel Letham, author and surfer Tim Winton, legendary surfboard shaper Bob McTavish, accidental entrepreneur and Rip Curl founder Doug Warbrick and former world champion surfers Barton Lynch and Wayne ‘Rabbit’ Bartholomew. It looks at the rise of women surfers, such as Layne Beachley, and the explosion of Australian labels including Billabong, Rip Curl, and Quiksilver, which helped to cement Australia’s position as a global force in international surfing.

Former leaders of the "pray the gay away" movement contend with the aftermath unleashed by their actions, while a survivor seeks healing and acceptance from more than a decade of trauma.

Former leaders of the "pray the gay away" movement contend with the aftermath unleashed by their actions, while a survivor seeks healing and acceptance from more than a decade of trauma.

1949年之后，解放区和国统区的两股文艺力量汇合，如何将中国文艺界统一到为新政权服务的大旗下？1950年，电影《武训传》提供了这种契机，它点燃了文艺为谁服务的问题，在这个问题的拷问下，一批作家作品遭到批判改造，命运被改写。

1949年之后，解放区和国统区的两股文艺力量汇合，如何将中国文艺界统一到为新政权服务的大旗下？1950年，电影《武训传》提供了这种契机，它点燃了文艺为谁服务的问题，在这个问题的拷问下，一批作家作品遭到批判改造，命运被改写。